The 12 Editing Gifts of Christmas ... DAY #3!

Between December 1-23 I’ll post twelve editing suggestions I hope you can use in the coming year when you’re working on your manuscript. I suppose you could print them off and hide them under your tree, but don’t feel like you have to.
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Okay, first I'm just gonna complain a bit because I had this post almost done and the internet swallowed it up ... must have been all the electricity I got going in the air because my very first copy of my BOOK arrived today!! Yes, the delivery guy, henceforth known as the delivery ELF, brought it. Can you imagine? He had no idea what it was. Anyway, suffice to say, much celebrating and photo taking has taken place. If you're curious, go see my facebook page.

Okay! On to today's Editing Tip.
DAY #3:

What is Syntax, and what can it do for my writing?There are zillions of words in the English language (that might possibly be an exaggeration, and the cool thing is how you can transform those words from boring old sentences into great ones just by using syntax. What is syntax? Glad you asked.

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syn·tax  [sin-taks]   (c/o Dictionary.com)
noun
1.Linguistics 
a.the study of the rules for the formation of grammatical sentences in a language.
b.the study of the patterns of formation of sentences and phrases from words.

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So really, it's using words  effectively. Here are some examples:

Let's start with two simple sentences. Hmm …

I wrote a book. I hope people will buy it.

Let's connect the two phrases with a conjunction ("and"). In this case, I removed the "I" from the second phrase, meaning the second phrase can't stand independently. When this happens, no comma is necessary.

I wrote a book and hope people will buy it.

Now let's connect them again, but this time I'll pop that "I" back in so the second phrase is just as independent as the first. When you have two independent phrases joined by a conjunction, you have to add a comma before the conjunction.

I wrote a book, and I hope people will buy it.

Now let's use what's called a "dependent marker" so phrase #1 become a modifier for phrase #2.

While I was writing my book, I hoped people would buy it.

Let's switch them around now so phrase #2 starts first. We can play with phrase #1 to make it more interesting.

I hope people buy the book I wrote.

Just to make things even more interesting, we can insert a "nonessential phrase" and surround it by commas BUT you have to put the comma after the conjunction ("and" in this case). The reason the conjunction is before is because the nonessential clause modifies the second phrase, not the first.

I wrote a book and, of course, I'm hoping people will buy it.

Along the nonessential phrase thing,  you can also insert one that modifies the first phrase. In that case the conjunction comes after the nonessential phrase.

I wrote a book, which was amazing to me, and I hope people will buy it.

If you want to make that nonessential phrase stick out, like it's something that just popped into your head, use em dashes. The conjunction comes before the dashes in this case.

I wrote a book - which surprised the heck out of me - and I hope people will buy it.

If you use brackets instead, it will de-emphasize it. Don't forget the comma after the close bracket.

I wrote a book (which surprised the heck out of me), and I hope people will buy it.

Semi-colons can be used as well, but sparingly. Too many times writers replace commas or periods with semi-colons. But you use it in a few cases. For example, if we change the second phrase into something a little more interesting, we can add it to the first one.

I wrote a book; I'm hoping when folks head into a bookstore they'll pick up a copy.

Use the semi-colon again, still using a more interesting second phrase, but add an adverb or adverbial phrase after the semi-colon, followed by a comma.

I wrote a book; naturally, I'm hoping when folks head into a bookstore they'll pick up a copy.

When you are writing, or when you've finished writing something, read what you've done out loud. Are your sentences all the same length and rhythm? Do they lack a little depth and variety? Anything gets dull if it's all the same. 

Look at syntax. Take a sentence or two and play with them. Create something beautiful out of something plain.

Thank you to Daily Writing Tips for sending out such great tips.



 
 
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I can’t remember how many times I read this when I first bopped around online, looking at critique sites, listening in on forums, reading comments on writing. Show, don’t tell. Huh.

After I got hit over the head with it enough times, I understood the concept. The author must envelop the reader in the story, fill his senses with setting, character, emotions, action and everything else. In effect, the author must make it possible for the Reader to forget both that they are the Reader, and the fact that they’re reading a story.

Sounds simple enough.

Ha! Personally, I think that part of writing can be almost as difficult as the infamous Agent search. However, it can also be the most rewarding. And if it’s done well, the Reader goes away with an image in their head, something they’ll remember.

In order for an author to Show, not Tell, they must allow their thoughts to be completely “at one” with their writing. Throw in all those techniques and tools we writers are always talking about: metaphors, similes, dialogue, etc. For me it’s kind of a zen thing. While your fingers are flying and your mind is racing along with the action, it’s easy to try to keep up by writing something like, 

She ran into the forest, needing to escape. That, my friends, is Telling.

If I really take my time and sink into the scene, I am able to Show.
The pounding of her feet was background to her laboured gasps; her heartbeat raced. The trees closed on her like wolves around an injured deer, their gnarled branches clawing and scraping her sweat-soaked skin. The air was heavy, wet from the storm, and slippery, twisted roots jutted up to grasp at her exhausted feet. Escape jeered from far away.   <-------- Goal

You may not like my example. Actually, I’m not convinced either. Could be overdone. But let’s consider it anyway. What are the differences between the two examples?

Telling:
Basic nouns and verbs
Few or no adjectives and adverbs

Showing:
Metaphors: Can you see the wolves/trees? Can you sense the menace?
Other devices such as Personification (of the trees and roots, and even of escape)
Covers senses such as: Touch (clawing and scraping), smell (the heavy air), emotion (panic)
Paints clear, precise images: describes details about trees, background on weather and conditions on the ground, location (faraway) of her goal.


On the other hand, 
too much Showing can destroy a piece. Too many descriptive words, listing unimportant facts and features ...

In my opinion, there are basically three ways to describe one thing. 

The first is Telling.
The cowboy was blond and looked good.   <-------- Avoid

The second is what I call a “shopping list”.
He had blond hair that hung to his shoulders and it was messy. He wore a red, green and black plaid flannel shirt that was so old it needed to be patched. It had a square pocket on the left side. His silver belt buckle was large and not very shiny. It was the shape of a wild, bucking bronco with a cowboy on top.  <-------- Avoid  

The third is to Show.
Long, golden blond waves, tousled by indifference, tickled the solid slope of his shoulders. He’d tucked in one side of his flannel shirt, leaving the other to hang carelessly over his thigh. A tarnished silver buckle winked from behind the worn material.  <-------- Goal 

Another technique is to throw in a little dialogue. Everyone wants to hear dialogue anyway. 


Instead of:
The office manager stormed into her office and demanded coffee. <----- Avoid

How about:
Her head jerked up as the office manager stormed into her office and slammed the door behind him. “I want coffee, and I want it now,” he demanded.  <-------- Goal

So ... Show, don’t tell:
1.  Use effective, descriptive nouns and verbs, adding necessary adjectives and adverbs whenever needed. Don’t overdo it.
2.  Cover as many senses as possible: sight, touch, sound, smell, taste, intuition
3.  Use writing techniques like personification, metaphors, etc
4.  Don’t list things, describe them. And only bother with the ones that matter.
5.  Paint clear, concise images that will swallow up the Reader.

Here. Try this. I’ll get you started, and you make this into something memorable ...
The editor hoped her advice helped.